CfP: Voices in and out of Place: Misplaced, Displaced, Replaced and Interlaced Voices, Newcastle (UK)
Online Lecture Series: Music, Sexual Harassment, Racism: Continuities & Change (Vienna/online)
CfP/CfA: Cultural and Social Diversity in MIR, Bangalore (India)
CfP/CfA: Sound Knowledge: Alternative Epistemologies of Music in the Western Pacific Island World (Online Workshop & Proposals)
CfP: 2022 International Drum Kit Studies Conference, Boston (USA)
CfA: La valeur de la musique à l’ère des plateformes de streaming (numéro spécial de Volume!)
CfP: TikTok–Music–Cultures: Perspectives on the Study of Musicking Practices On and Through TikTok
CfP: Künstliche Intelligent - Intelligente Kunst? Mensch-Maschine-Interaktion und kreative Praxis, Braunschweig (Präsenz + online)
Submission start for the International Sound Awards 2022
CfP: 7. IASPM D-A-CH Collegium Musicum Populare (CMP), 10.–11. Juni 2022
Universität Potsdam (verlängerte Deadline: 03.04.)
CfP: Music and Interdisciplinary Practice, Farnham (UK)
Spring School 2022 | Early Career Women* in Popular Music Research, Lüneburg
CfA: Conference "Music/Sound Through the Lens of Trauma: Methodology, Theory and History", Utrecht
CfA: New Bloomsbury Academic Book Series: Asian Celebrity and Fandom Studies
CfP: Methodological Approaches to Music and Dance: Exploring the Field of Heavy Metal and Its Genre Boundaries (extended Deadline: 07.02.2022)
ICMuS Research Seminar series, Newcastle University (Start: 02.02.2022)
Publication: Peak Music Experiences: A New Perspective on Popular Music, Identity and Scenes
UWI/UL International Summer School: 'Cultures and Politics of Protest', Jamaika (Deadline: 11.02.2022)
Job: Studiengangsleiter:in im Masterstudiengang "Popular Music", Popakademie Baden-Württemberg
IAPMS Online Workshop vol. 12: "K-pop in China in the mobile internet period: Internet platforms, the “Korea Ban”, and the K-pop-formatted Chinese idol industry" (10.02.2022)
