Job: Konservator*in/Restaurator*in, Phonogrammarchiv Wien (Deadline: 20.10.2022)
32. GFPM- || 5. IASPM D-A-CH-Tagung, Wien: Aktualisiertes Tagungsprogramm, Book of Abstracts und Hinweise (Stand 14.10.2022)
Job: Projektmitarbeiter_in im Forschungsbetrieb (PraeDoc) (Music and Minorities Research Center (MMRC) der mdw, Wien; Deadline 03.11.2022)
CfP: Christian Congregational Music: Local and Global Perspectives (1–4 August 2023, Oxford, UK)
CfP: Popular Song in Europe in the 1920s (France; extend. deadline: 15.01.2023))
Ankündigung: ~Vibes – The IASPM D-A-CH Series Volume II
Publication: New Issue "Urban People (2022 24/2)"
Conference: Subcultures, musical scenes and social classes: the cases of punk and heavy metal (21.10.2022, Paris)
Publication: Guy Morrow, Daniel Nordgård, Peter Tschmuck: "Rethinking the Music Business: Music Contexts, Rights, Data, and COVID-19"
Publication: Academic Journal "acusfere. suoni_culture_musicologie"
Publication: L. J. Müller: "Hearing Sexism. Gender in the Sound of Popular Music. A Feminist Approach"
Job: Universitätsprofessur (W2) Musik in den Medien / Musikjournalismus, Dortmund (Deadline: 19.10.2022)
Publication: Hannes Liechti: "This Track Contains Politics: The Culture of Sampling in Experimental Electronica"
Job: Universitätsassistentin_Universitätsassistent (Prae- oder Post-Doc) am Institut für Musiksoziologie der mdw, Wien
Publikation: Ina Kahle: "Populärkultur und sozialökologische Transformation: Potenziale einer reflexiven Nachhaltigkeitskultur auf Musikfestivals"
Publication: Dagmar Abfalter/ Rosa Reitsamer: "Music as Labour: Inequalities and Activism in the Past and Present"
CfP: III International Conference on Sonorities Research (CIPS) "Sounds of the end of the world"
Publication: Rachel Haworth: "The Many Meanings of Mina: Popular Music Stardom in Post-War Italy"
CfP: "Just Can't Get Enough: Synth-Pop and Its Legacies"
CfP: “Music in Non-digital Games” Special Issue of JSMG (Journal of Sound and Music in Games)
