Publication: Chris Anderton, Sergio Pisfil: "Researching Live Music: Gigs, Tours, Concerts and Festivals"
Publication: Simon Strange "Blank Canvas: Art School Creativity From Punk to New Wave"
Webinar, 14.11.2022: Dr Fiorella Montero-Diaz “Sounding a Queer Rebellion. LGBTI Musical Resistances in Lima, Peru”
CfP: Affective Politics and the Policing of the Social Through Popular Music (Special Issue of the Journal of Extreme Anthropology)
Publikation: Chris Kattenbeck: "Beats. Bauen. Lernen. Manifestation, Konstitution und Entwicklung künstlerischer Handlungsfähigkeit beim Beatmaking"
News: ~Vibes – The IASPM D-A-CH Series 2
Call for Participation: Roundtablegesprächen des Unabhängigen Forschungskolloquiums für musikwissenschaftliche Geschlechterstudien (UFO)
CfP: See Me, Feel Me, Touch Me, Heal Me: Tommy, Rock Opera and Twentieth Century Britain (Deadline: 01.12.2022)
Publication: Andrew Snyder: "Critical Brass. Street Carnival and Musical Activism in Olympic Rio De Janeiro"
Publikation: Thomas Wilke, Michael Rappe (Hrg.): "HipHop im 21. Jahrhundert. Medialität, Tradierung, Gesellschaftskritik und Bildungsaspekte einer (Jugend-)Kultur"
IASPM D-A-CH/GfPM-Tagung Wien: Maria Hanáček Award 2022
Job: W2-Universitätsprofessur (w/m/d) für Digitale Methoden der Musik- und Medienedition, Paderborn
Job: Visiting Assistant, Associate, or Full Professor of Music (Amherst/USA)
CfP: Asia Pacific Business Review Special Issue: K-Pop (Deadline: 30.10.2022)
Scholarship: Funded PhD Project - Cultural Labour, Public Support, and the Arts
Webinar: “Slow Train Coming? Equality, Diversity and Inclusion in UK Music Higher Education” (31.10.2022, Dr. Anna Bull)
CfP: Subcultures Network International conference
CfP: Sounding Space and Place, Denver (Deadline: 30.10.2022)
Call for Presentations: Popular Music Books in Process Series
Publication: Uwe Schütte: "The Cambridge Companion to Krautrock"
