CFP: European HipHop Studies Meeting, University of Bristol
ELEMENTS BRISTOL 06-08 June 2019
2nd Meeting of the European HipHop Studies Network
University of Bristol, UK
KEYNOTE: Juice Aleem and J. Griffith Rollefson (UCC)
Emceeing. DJing. Breaking. Graffiti. Hip-hop is commonly understood to consist of these four elements. The idea of four elements is one of hip-hop culture’s core narrative and most pervasive founding myth since its beginnings in the Bronx in the 1970s. Yet, the idea of four core elements has been highly contested since the beginning of the culture as there is no unified definition of how many elements exist, who defined them, and how they came together.
The second meeting of the European HipHop Studies Network therefore explores one of hip-hop’s most central ideas, the ideas of elements: Who defines them? What do they tell us about cultural, social, and economic communities and boundaries across Europe? How do these limits vary according to various contexts and practices across Europe? What are their consequences for cultural production and consumption? The objective of the meeting is to trace, interrogate, and expand the notion of elements as central organizing principles in hip-hop culture and their variations across Europe.
We invite papers, panels, performances, and contributions from a wide variety of backgrounds, perspectives, and angles. Scholarly disciplines include but are not limited to art history, cultural studies, black studies, ethnography, geography, graffiti studies, literary studies, musicology, pedagogy, performance studies, philosophy, political science, sociology, and visual culture studies. Artistic contributions include performances, themed panels of any format, lecture-recitals, and philosophies which combine research and praxis (or practice-as-research).
Artistic and scholarly proposals engaging with European hip-hop’s elements (those based both in Europe and outside of it) should include a title, 250 word abstract of their contribution and short biographical sketch. This should be submitted to email@example.com no later than 31 January 2019. We especially welcome papers that engage with less-academically-visible work, and from artists and practitioners from a wider variety of backgrounds. We hope to see you in Bristol!
Justin Williams: justin.williams (at) bristol.ac.uk